#i wish it was. i really do.

[d0d0-b0i]

i am an nnd shipper not out of desire but out of /necessity/. if i think about them too much my brain starts overheating in agony over whether the writers knew what they were doing or not

[ochiody]

really quick comic based on this post by @fangirling-phoenix

[jaredthebc]

Do you ever think about how almost all of N’s Pokémon throughout the first games were one offs he released after he battled you, how he cared about them all deeply enough that he thought it would be selfish to have them battle more than necessary. And do you ever think about how this is the case with all his Pokémon EXCEPT his Klinklang in the final battle at the league, where the second to last battle he had a Klink and this Klinklang is very likely that same Pokémon? Do you think this was a visual representation of his mindset wavering from a fixed point? How that Klink refused to leave him right away and he couldn’t bring himself to force them to leave because his mind is in so many different directions? He can keep them around just a little longer until he becomes champion, it won’t be long, he can bend things some so long as he doesn’t fully stray from his path…right?

Or is that just me am I the only one willing to be insane about Klinklang of all Pokémon

[qvert]

I just really need her to know

[scurviesdisneyblog]

Early visual development for Wish (2023) by Griselda Sastrawinata-Lemay and Brittney Lee.

An earlier version of the film saw Star take on a human form as a magical, glowing character inspired by Peter Pan. Ultimately, the creative team reconceptualized Star as an ethereal, playful entity resembling Mickey Mouse. "Now Star and Asha have an emotional journey. They are soulmates." -Allison Moore.

[musubiki]

my favorite fields of mistria boys 🥰

[stardayzzing]

[Kon & Tim]

I don't know if I'll find the energy to color this later since it's just a cleaned up doodle but I feel like I should post it because I've been dead over here for a while..

[theburgertv]

i watched the first parkour civilization movie and its like. 2 hours of youtube shorts tied together. its so funny, they reestablish the plot like 200 times throughout the whole move. everyone's ego is beyond fragile and no one has ever heard of a 360 jump or a backwards jump somehow

[reasonsforhope]

Literally begging anyone who can vote in US elections to vote, and to vote against Trump. Which means voting for Harris, not abstaining or voting third party.

My family actually did move here from an authoritarian country, where voting literally didn't matter, they literally did throw out your vote, and they literally did assassinate citizens who spoke out against them.

We would all very much like to keep living in a country where those things are not the case!

You know, the same things that Trump and his stooges have openly said they want to do. And two of the main propaganda lines for why people in the US shouldn't vote, which is a lie.

Voting matters. The parties are not the same.

And make sure to vote in down-ballot races!!!

And like. The fact that voting matters in the US is a very real reason for hope. It is something you should genuinely appreciate. We can make a difference.

And a lot of people risked their lives or even died to earn that right, and it's a right not everyone has.

[lynxgriffin]

I did a post asking about this ages ago, but now that there's polls, I'd like to do another round for this question, since it always has me curious:

Also, I am not including stuff like "I just stay up thinking about things that make me anxious", since this is specifically about things that help you sleep, not things that keep you up!

Just curious how widespread this practice is!

[dovewingkinnie]

i liked when dr harley sawyer was messing with u like a mouse type of guy to put u in a maze and watch u collect seeds

[uncharted-constellations]

The Princess and Hero of the First Great Calamity

The orange snoot is very important to me….

[sabertoothwalrus]

appreciation post for the second half of dungeon meshi where senshi clearly starts treating chilchuck more like an adult. and also how the two of them start looking incredibly married

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[bringiton]

"Never jump into a pile of leaves with a wet sucker." IT’S THE GREAT PUMPKIN, CHARLIE BROWN (1966), dir. Bill Melendez.

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.